![]() MR: In 2017, I developed a script for the Revista Amarello of contemporary culture. MR: You can follow me on Instagram and BitClout and visit the website for my studio “ Contrast”. OK last question, what is the best way for people to follow your work? JD: I love how well-conceived your practice is, you’ve obviously spent a lot of time considering your work and what you want to accomplish. In recent years I have united both processes and narratives. In 2012, I stopped painting and started programming, and geometric patterns took over my visual work. The natural environment has been the theme of my artwork since the very beginning, back in 2008. This interest in geometry often leads to animated visual patterns, whose loops resemble the rapport of a fabric, infinitely chained over time. My interest in morphology led me to explore the intrinsic geometry of these growth processes. I draw by looking at the natural environment, reviewing traditional ways of representing and cataloging nature, associated with contemporary forms of representation that are only possible using digital tools. ![]() MR: My recent production associates drawing and various types of algorithms. Monica Rizzolli, Tibouchina mutabilis, morte, 2009? Live View JD: Anything else you’d like to share about your artistic practice? This project won the Top Award Fedrigoni in the publishing category for 2021. With this method, we created 400 unique generative covers of Tupigrafia magazine. We also created “Contrast”, a studio to explore modular alphabets and programming to generate design solutions. This year, we launched the “Just Pixo” typeface inspired by Brazilian “pixação” by type foundry Latinotype. “Tomorrow”, my first typeface drawn with Tony de Marco, is in the Google Fonts collection. ![]() Over the last few years, I've started to learn type design, drawing glyphs, and programming OpenType features. I also received the MAK Schindler Scholarship (MAK Vienna), and during my residency in Los Angeles, I had the opportunity to produce my first exhibition featuring a self-generating computer simulation. Any recent accomplishments you’d like to share? JD: That’s great that you’ve been so involved with the gen art and crypto art community over the years. Monica Rizzolli, Tupigrafia 12 Magazine, 2018.
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